Conversation goes along with the whole film. It ends with climax—no compulsory forgiveness and “must having” happing ending. As it goes in real life. So real.
RogerEbert在他的影评中反复强调这部电影没有观点但他忽略了一件事:导演Gus Van Sant并没有放弃表达自我电影中不少场景其实都带有强烈的暗示事实上14MAY18_XXXXXL56ENDIAN日本即便电影自身没有观点各种长镜头的存在也为观众创造一种“电影的观点”提供了客观条件或许这才是导演想要的结果